- Description
- Specification
- Features
The MKH 416 is a short gun interference tube microphone. Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications.
Dimensions: width 19mm x 250mm
| Features | ||
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Increased directivity due to interference tube principle | |
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Very low inherent self-noise | |
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High sensitivity | |
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Transformerless and fully floating balanced output | |
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Rugged, suitable for adverse climatic conditions | |
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Matt black all-metal body | |
| Delivery Includes | ||
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1 MKH 416 P 48 U 3 | |
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1 MZW 415 windshield | |
| Technical Data | |||
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Pick-up pattern |  |
super-cardioid/lobar |
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Sensitivity in free field, no load (1kHz) | |
25 mV/Pa +- 1 dB |
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Nominal impedance | |
25 Ohm |
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Min. terminating impedance | |
800 Ohm |
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Equivalent noise level | |
13 dB |
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Equivalent noise level weighted as per CCIR 468-3 | |
24 dB |
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Voltage | |
Phantom 48 +- 12 V |
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Current consumption | |
2 mA |
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Dimensions | |
d 19 x 250 mm |
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Weight | |
165 g |
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| Profile |
| Super-cardioid/lobar short interference tube microphone, frequency response 40 - 20,000 Hz, sensitivity (free field, no load) 25 mV/Pa ± 1 dB at 1 kHz, nominal impedance 25 Ohm, min. terminating impedance 800 Ohm, equivalent noise level A-weighted approx. 13 dB, CCIR-weighted approx. 24 dB, max. sound pressure level 130 dB at 1 kHz, phantom powering 48 ± 12 V, supply current 2 mA, dimensions Ø 19 x 250 mm, weight approx. 165 g. |
| Glossary | |
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Pick-up pattern |
| Also known as polar pattern, directivity. According to their acoustic design, microphones differ in their sensitivity towards sound from different directions. Pressure microphones have a sensitivity that is largely independent of direction (omni-directional pick-up pattern). Pressure gradient microphones have the pick-up patterns wide cardioid, cardioid, super-cardioid or figure-of-eight. Interference microphones can be used to achieve a further concentration of the pick-up pattern (lobar pick-up pattern). As a special case, dummy head microphones achieve the pick-up pattern of the human ear/head (dummy head stereo). | |
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Sensitivity in free field, no load (1kHz) |
| Voltage measured at the unloaded output of a microphone which is exposed to a sound pressure of 1 Pa and a frequency of 1 kHz in an anechoic chamber. | |
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Nominal impedance |
| See impedance. | |
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Min. terminating impedance |
| Impedance at which the connected unit meets the specified technical data. If the unit is connected to a lower impedance, it will usually have a lower output voltage or a greater distortion. | |
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Equivalent noise level |
| The output signal of every microphone always includes a low noise signal in addition to the useful signal. In order to illustrate the extent of the noise voltage, it is given as a fictitious sound pressure level. In an ideally noise-free microphone, a sound pressure level of this magnitude would result in an output voltage of the magnitude of the noise. Self-noise is measured and weighted either in accordance with CCIR 468-3 or – in order to assimilate the measured result with the listening impression of the human ear – in accordance with DIN/IEC 651 (so-called A-weighted). Studio condenser microphones generally have an equivalent noise level of between 20 and 30 dB (CCIR) or between 10 and 20 dB(A). | |
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Equivalent noise level weighted as per CCIR 468-3 |
| The output signal of every microphone always includes a low noise signal in addition to the useful signal. In order to illustrate the extent of the noise voltage, it is given as a fictitious sound pressure level. In an ideally noise-free microphone, a sound pressure level of this magnitude would result in an output voltage of the magnitude of the noise. Self-noise is measured and weighted either in accordance with CCIR 468-3 or – in order to assimilate the measured result with the listening impression of the human ear – in accordance with DIN/IEC 651 (so-called A-weighted). Studio condenser microphones generally have an equivalent noise level of between 20 and 30 dB (CCIR) or between 10 and 20 dB(A). | |
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Voltage |
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Current consumption |
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Dimensions |
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Weight |
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| Recommended Accessories | |||
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Description | Product | Article No. |
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Table stand | MZT 100 | 01883 |
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Solid,
metal table stand with soft rubberised surround for good suppression of
structure-borne noise. Provides excellent stability. 3/8" thread for
mounting microphones and other equipment. Colour: black. |
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Microphone clamp | MZQ 100 | 02155 |
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Microphone clamp and quick release clamp with 3/8", 5/8", and 1/2" thread insert for microphones with a diameter of 19 - 22 mm (e.g. COM 190 and MKH 416). Colour: black. | ||
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Battery power supply unit | MZA 14 P 48 U | 02960 |
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The MZA 14 P 48 U is designed to supply phantom-powered condenser microphones. A voltage transformer increases the voltage of a 9 V IEC 6 LF 22 (PP3 size) battery to 48 V (phantom powering). The unit is fitted with XLR connectors. Operating time approx. 25 hours. |
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Rycote | Windshield 4 Kit | 086001 |
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Comprising: medium modular suspension, windshield 4 and windjammer4 in its own box | ||
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Rycote | Softie with mount and pistol grip | 033351 |
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18cm small hole | ||
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Basket windshield | MZW 60-1 | 03607 |
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This
lightweight, rugged protective basket windshield provides excellent
suppression of wind noise when used for outdoor applications. Length: approx. 44 cm. |
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